Boris Lehman Movies

This film takes a look at the French concentration camp at Rivesaltes. It does not deal with the site of memory but rather memories of the site...

The man carrying his body, his reels of film, his bag and his old Nikon, is Boris Lehman, he's also Sisyphus, Jesus Christ, and Ixion as told by...

"It's a very simple story, shot in a quiet street in Brussels. People waiting for the bus that is late, talking to each other, trusting each other,...

In July and August Lehman filmed 150 individuals in and around Brussels, and he himself was filmed by the same persons. Like in a kaleidoscope...

Julien and Anty, two young slackers, take seven days to move three trinkets a short distance, exemplifying the strategy of least effort. They sit on...

The last day of the life of German Jewish writer and philosopher Walter Benjamin (1892-1940). The director re-routes Walter Benjamin between...

The dialogue is based on the Gospel according to St John. The apostles are played by friends (the disciples) of Boris Lehman, most of them...

Seven apartments, seven times of life: one film. A classic diary film, Boris Lehman intimately chronicles his own existence and that of objects and...

"This filme is the 'last' episode of my auto-cine-biographic work Babel, which covers more that thirty years of mu life and it started in 1983 with...

Adrienne is not my mother. She is not Jewish. I met her five years ago, at Edouard’s, where I’d gone to ask my friend to lend me a dinner...

A wordless travel on a barge from Clabecq to Ruisbroek. This is the Boris Lehman’s student movie done for the INSAS school.

The film illustrates the paradox that 64=65.

This film is not a document about madness, any more than a film-truth investigation. It is a reflection of the experience of the Club Antonin...

The story of my hair can be told in two lines. My hair was long and black. It has turned white. It hasn't been cut since 1982, almost thirty years...

A short ciné-tract made by Boris Lehman in homage to the films of May '68.

In a burlesque mode, the director tries to deflate the world (realized here by a globe), to level it, to put its three dimensions in two. To do this,...

Boris Lehman's funereal mask is constructed when he is alive (which therefore requires him to construct a rudimentary canal to breathe through the...

The film is the cinematic encounter of two looks (that of the painter Arié Mandelbaum and that of the filmmaker Boris Lehman) with one voice:...

Shot with direct sound, Villofolie presents six people giving a monologue in a destroyed and dehumanized city: Brussels. The film dissects itself to...

"Two independent filmmakers, who willingly practise self-fiction, are filming each other in order to communicate better. In spite of their...